23 all that is solid melts into air meaning Ultimate Guide
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Dive into anything [1]
Welcome to /r/literature, a community for deeper discussions of plays, poetry, short stories, and novels. Discussions of literary criticism, literary history, literary theory, and critical theory are also welcome
Full original quote from Marx for context: All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.. I’ve heard a few different explications of this phrase
But I want the non-Marxist version, the one that Marshall Bermann quotes in his essay Modernity- Yesterday, Today and Tomorrow about the Modern condition, for instance, as this is where I encountered up the quote – Bermann is discussing how existing in the modern era is akin to living in a time where ‘all that is solid melts into air’. In the essay he’s talking about the modern condition in its permutations and my own nascent sketchy interpretation of the point he’s making is, if we extrapolate that quote to the entire sentence from Marx, that the man of modernity is forced to confront and rethink his relationship to others and the world around him, in a newly modernized environment that challenges traditional modes of living and proposes new and alienating alternatives
All that Is Solid… Is Maybe Not So Solid: The Repercussions of a Translation [2]
Let me preface by saying that my German is not good, so if I am way off here, I hope someone who is more fluent than I will set me right. But I’m writing this as a kind of follow-up on last week’s post about Karl Polanyi’s effect on historians
The other day I was writing about a book that made use of the famous phrase from The Communist Manifesto “all that is solid melts into air,” and I thought to look up the original German, which is “Alles Ständische und Stehende verdampft.”. It struck me immediately that the conventional translation of this line is a bit paltry
(This overlap or confluence of meanings may be clearer in Latin: sto, stare, steti, status are the principle parts of the verb “to stand.”). Well, perhaps you’ll say, so what? No one has ever accused me of an allergy to pedantry, but I think this is not just a case of the quibbles
‘Melted Into Thin Air’, Meaning & Context [3]
“Melted into thin air” refers to something that has completely disappeared, so completely that it is as if it has become part of the air around us, and has not left a trace. “Melting” is, therefore, an appropriate word to describe that
The image of something melting or vanishing into thin air comes from two Shakespeare plays. Shakespeare does not use either of the two terms in exactly the same way as the idioms we use today, however
The idiom as it is used today has deleted “into air,” leaving “melted into thin air,” which has become embedded as an idiom in the English language.. The word “melted” was replaced by “vanish” in an article in The Edinburgh Advertiser in April 1822 to create the interchangeable phrase “Vanish into thin air”:
Why Marx Now? [4]
McKenzie Wark considers the question “Why Marx now?” through a close reading of one of the Communist Manifesto’s most famous lines.. This text was first presented as talk at the Goethe-Institut New York and Brooklyn Institute for Social Research’s Marx Now program.
“All that is solid melts into air.” It may actually sound better in English than in German. It conjures up an image of the industrial era, of steam power, smoke stacks
And it also suggests that the solidity of tradition is evaporating. A world supposedly of closely connected community is giving way to one of free floating atoms.
All That Is Solid Melts into Air [5]
This article consists almost entirely of a plot summary. It should be expanded to provide more balanced coverage that includes real-world context
The book examines social and economic modernization and its conflicting relationship with modernism. The title of the book is taken from Samuel Moore’s 1888 translation of The Communist Manifesto by Karl Marx and Friedrich Engels.[1][2][a]
In the second section he uses Marxist texts to analyze the self-destructive nature of modernization. In the third section French poetry (especially Charles Baudelaire) is used as model of modernist writing, followed by a selection of Russian literature (Alexander Pushkin, Fyodor Dostoevsky, Andrei Bely, Nikolai Gogol, and Osip Mandelstam) in the fourth section
Dive into anything [6]
Welcome to /r/literature, a community for deeper discussions of plays, poetry, short stories, and novels. Discussions of literary criticism, literary history, literary theory, and critical theory are also welcome
Full original quote from Marx for context: All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.. I’ve heard a few different explications of this phrase
But I want the non-Marxist version, the one that Marshall Bermann quotes in his essay Modernity- Yesterday, Today and Tomorrow about the Modern condition, for instance, as this is where I encountered up the quote – Bermann is discussing how existing in the modern era is akin to living in a time where ‘all that is solid melts into air’. In the essay he’s talking about the modern condition in its permutations and my own nascent sketchy interpretation of the point he’s making is, if we extrapolate that quote to the entire sentence from Marx, that the man of modernity is forced to confront and rethink his relationship to others and the world around him, in a newly modernized environment that challenges traditional modes of living and proposes new and alienating alternatives
“All That Is Solid Melts Into Air” [7]
At about the same time that Darwin was upending the human sense of themselves, things were at least as destabilized in the social sphere. As Marx and Engels wrote in The Communist Manifesto,
All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.”. Written in 1848, just as violent revolutions (all of them ultimately repressed) were convulsing Europe, the Manifesto was both a cause of and a response to those shaky times that characterized the middle of the 19th century, an era that from the perspective of 21st century “modocentrism” (see my earlier blog) may well seem comparatively calm and quiet, even boring.
Before the 19th century came what is widely known as the Enlightenment, when many prior ideas – including but not limited to the legitimacy of religion itself – were subjected to the hard light of reason. As Alexander Pope saw it “Nature’s Laws lay hid in Night: God said, ‘Let Newton be!’ and all was light.” Alas, not quite
Why Marx Now? [8]
McKenzie Wark considers the question “Why Marx now?” through a close reading of one of the Communist Manifesto’s most famous lines.. This text was first presented as talk at the Goethe-Institut New York and Brooklyn Institute for Social Research’s Marx Now program.
“All that is solid melts into air.” It may actually sound better in English than in German. It conjures up an image of the industrial era, of steam power, smoke stacks
And it also suggests that the solidity of tradition is evaporating. A world supposedly of closely connected community is giving way to one of free floating atoms.
All that is solid melts into air [9]
‘All that is solid melts into air.’ These words from The Communist Manifesto, first published in London in 1848, were written as a poetic depiction of the destructive and creative dynamism of capitalism. Reading them today makes you feel as if they were written with the last couple of years in mind
Social security payments, for example, were once actually seen as a means of preventing poverty, not prescribing it. A job was once seen, at least for some, as being not only the best guarantee against poverty but the path to economic security
According to a recent ACTU report, there are now ‘867,900 Australians working multiple jobs, the highest number since the ABS began tracking secondary jobs in 1994.’ And there are now a record number of Australians working three or more jobs, 209,100, a 10.8 per cent increase from June 2020.. We’re living in a society where, according to the report, workers who do multiple jobs still earn 17.5 per cent less than the national average
All that Is Solid… Is Maybe Not So Solid: The Repercussions of a Translation [10]
Let me preface by saying that my German is not good, so if I am way off here, I hope someone who is more fluent than I will set me right. But I’m writing this as a kind of follow-up on last week’s post about Karl Polanyi’s effect on historians
The other day I was writing about a book that made use of the famous phrase from The Communist Manifesto “all that is solid melts into air,” and I thought to look up the original German, which is “Alles Ständische und Stehende verdampft.”. It struck me immediately that the conventional translation of this line is a bit paltry
(This overlap or confluence of meanings may be clearer in Latin: sto, stare, steti, status are the principle parts of the verb “to stand.”). Well, perhaps you’ll say, so what? No one has ever accused me of an allergy to pedantry, but I think this is not just a case of the quibbles
All That Is Solid Melts into Air (Again) [11]
Nearly every book on debt that has come out recently (and there have been a slew of them) features some discussion of morality. In fact, one of the first, big, books, David Graeber’s Debt: The First 5,000 Years, has as its fifth chapter “A Brief Treatise on the Moral Grounds of Economic Relations.”[1] Maurizio Lazzarato’s The Making of the Indebted Man takes the moral discourse surrounding debt as a central theme
Debtors get hit with a double-fault: they should have had stronger moral fiber before getting into debt in the first place (and this would be manifested in a strong work ethic coupled with a sense of deferred gratification, so the characterization goes) and after incurring the debt (they should have promptly discharged their obligation to repay). Given this double-fault, debtors should be the recipients of scorn
Such moralizing impedes any serious understanding of what the debt incurred during and after the 2008 meltdown is actually all about. Here I offer an argument for a countermorality in order to suggest that a different sense of community and a different sense of justice might be in order as correctives to popular conceptions of debt and morality
All That is Solid Melts into Air [12]
This is an extraordinary book with an extraordinarily broad scope, which is why All that is Solid Melts into Air has made a remarkable contribution to many fields, including urban design. It explains what modernity is and how it feels to be modern.
To be modern is a spatial experience: it ‘is to find ourselves in an environment that promises us adventure, power, joy, growth, transformation of ourselves in the world- and at the same time, that threatens to destroy everything we have, everything we know, everything we are’. Berman conceptualises the dramatic changes of the world during the last few centuries as modernisation
Ongoing change happens everywhere and at any time, but it is more apparent in cities.. The first two chapters are about the philosophical concept of modernisation
All That Is Solid Melts Into Air [13]
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.. It is a tragedy that nobody wants to confront-neither advanced nor backward countries, neither capitalist nor socialist ideologues-but that everybody continues to re-enact
But if Faust is a critique, it is also a challenge-to our world even more than to Goethe’s ownto imagine and to create new modes of modernity, in which man will not exist for the sake of development, but development for the sake of man. Faust’s unfinished construction site is the vibrant but shaky ground on which we must all stake out and build up our lives.
For the past 30 years Fredric Jameson’s name has been so inextricably tied to the fate of postmodernism that his recent work on modernity and modernism has been interpreted by some critics as a ” retreat ” from the cutting edge of contemporary cultural theory to politically regressive and imperialistic notions of modernity. For some of us, however, Jameson’s recent work marks a welcome return to what he always did best, writing about modernism
All That Is Solid Melts Into Air, by Marshall Berman [14]
All that is Solid Melts Into Air: The Experience of Modernity.. The role played by modernist culture in the radical movement of the 1960’s, though often assumed to have been a significant one, has never really been clarified
What, after all, had the tutelary deities of the counterculture of the 60’s in common with Eliot or Stravinsky or Proust or Mondrian or Mies van der Rohe? It was not to the dour strains of Schoenberg’s dodecaphonic compositions that the disciples of Timothy Leary turned on, as I recall, nor was either Ulysses or Harmonium the book most likely to be found in the backpacks of the antiwar protesters or under study in the communes of Vermont and Colorado.. To the extent that the literary and artistic avant-garde could be seen to foster an adversary attitude toward the institutions and the ethos of middle-class life, it was welcomed, to be sure, as an ally in the struggle to undermine “the system”—meaning, of course, bourgeois democracy—and the “repressive” cultural values that it was alleged to have engendered
For one thing, modernist culture was clearly understood to mean high culture—the culture of an educated elite—and toward the very existence of elite culture, modernist or otherwise, the ideologues of the radical movement adopted an attitude of extreme political hostility. The real “aesthetic” loyalties of the movement lay, in any case, in the realm of popular culture—in rock music, the “new” journalism, and the movies
Communist Manifesto (Chapter 1) [15]
MIA: Marxists: Marx & Engels: Library: 1848: Manifesto of the Communist Party: Chapter 1: [German Original]. A spectre is haunting Europe — the spectre of communism
Where is the party in opposition that has not been decried as communistic by its opponents in power? Where is the opposition that has not hurled back the branding reproach of communism, against the more advanced opposition parties, as well as against its reactionary adversaries?. Communism is already acknowledged by all European powers to be itself a power.
To this end, Communists of various nationalities have assembled in London and sketched the following manifesto, to be published in the English, French, German, Italian, Flemish and Danish languages.. The history of all hitherto existing society(2) is the history of class struggles.
All That Is Solid Melts Into Air: The Experience of Modernity [16]
“It is fascinating and beautifully realised…” (275). “I want to convey the richness of [her/his] thought.” (315)
“[She/He] has the ability to create individual scenes – whether actual or mythical, past or present, imagined or directly experienced – with a remarkable directness and luminous clarity.” (334). “The industrialisation of production, which transforms scientific knowledge into technology, creates new human environments and destroys old ones, speeds up the whole tempo of life, generates new forms of corporate power and class struggle; immense demographic upheavals, severing millions of people from their ancestral habitats, hurtling them half-way across the globe into new lives; rapid and often cataclysmic urban growth; systems of mass communication, dynamic in their development, enveloping and binding together the most diverse people and societies; increasingly powerful national states, bureaucratically structured and operated, constantly striving to expand their powers; mass social movements of people, and peoples, challenging their political and economic rulers, striving to gain some control over their lives; finally, bearing and driving all these people and institutions along, an ever-expanding, drastically fluctuating capitalist world market.” (16)
“[Early Modernists] used Modernisation as a source of creative material and energy. Marx, Baudelaire and many others strove to grasp this world-historical process and appropriate it for mankind: to transform the chaotic energies of economic and social change into new forms of meaning and beauty, of freedom and solidarity; to help their fellow men and help themselves to become the subjects as well as objects of Modernisation.” (174)
All That Is Solid Melts into Air by Marshall Berman [17]
All That Is Solid Melts into Air: The Experience of Modernity (Paperback)Marshall Berman (author). All That Is Solid Melts into Air is widely acclaimed as one of the greatest books on modernity
Berman delves into the aesthetic and intellectual controversies of art, literature, and architecture: from the writing of Goethe, Marx and Dostoevsky to the Paris of Baudelaire and Haussmann, the Petersburg of the Tsarist builders and Pushkin, and the New York of devastated wastelands and creative artists.. The imaginative range, intellectual force and infectious generosity of this book are what place it incontestably in the gallery of canonical texts
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Robert Christgau: Twentieth Century Limited: Marshall Berman’s “All That Is Solid Melts Into Air” [18]
What’s most important about Marshall Berman’s All That Is Solid Melts Into Air is that it’s a good read. I embrace that cliché first of all to encourage people to read the damned thing, and I hope it helps
And its very read-ability–the apparently effortless lucidity with which it passes back and forth between art (“modernism”) and socio-economics (“modernization”), progressing from Rousseau to Goethe to Marx to Baudelaire to a whole bunch of Russians (beginning with Nicholas I and ending with Biely and Mandelstam) and then to Jane Jacobs and Robert Moses and Richard Serra–will seem suspicious to Berman’s peers. Going-on-middle-aged profs who share Berman’s humanism might admire the grace of his style in the abstract, but they’ll distrust the synthesis of Lionel Trilling’s literary tact and Paul Goodman’s pancultural radicalism which it makes possible–that dichotomy has come to seem an either-or
Jameson, as you of course recall, proudly describes Adorno’s “bristling mass of abstractions and cross-references” as “a warning to the reader of the price he has to pay for genuine thinking.”. Not only is the world complex, it’s obdurately conflict-ridden, and canons of clarity often conceal ideology–they intimate that conflict can be resolved by reason alone
All that is solid melts into air – Notes on Tourism – Delphine Bedel – Episode Publishers [19]
All that is solid melts into air – Notes on Tourism. ‘All that is solid melts into air, Notes on Tourism’ is a reflection on the work of artist and writer Delphine Bedel
She brings into question the visual representation of leisure, architecture, and cultural artefacts.. This book explores three complex and controversial tourist destinations and cultural heritages whose identity, use, and meaning have shifted radically over time: a giant Lenin statue buried in a forest of Berlin, the monumental Nazi holiday resort in Prora, and the nearby landscape of the Chalk Cliffs on Rügen as painted by Caspar David Friedrich, all located in Germany
The process of constructing meaning and interpretation through images takes center stage in the experience of tourism.. What is the relationship between architecture and identity? Who owns the past? What is the Romantic imagination of nature in relation to tourism today? Using her photographic research as a starting point, Delphine Bedel invited writers from diverse disciplines to contribute to the book, resulting in original and unexpected historical and critical perspectives on the relations between visual culture, tourism, and memory politics.
All That Is Solid Melts Into Air [20]
Shortlisted, 2017 Mary Sarton Award (Contemporary Fiction). In the morning fog of the North Atlantic, Valerie hears the frenetic ticking of clocks
Pierre and to ponder her marriage to Gerard Lefèvre, a Montrealer and a broadcast journalist whose passion for justice was ignited in his youth by the death of his lover in an airline bombing. He’s a restless traveller (who she suspects is unfaithful) and she’s the opposite: quiet, with an inner life she nurtures as a horticulturalist
In New York City, an airplane has plunged into a skyscraper, and in the short time before anyone understands the significance of this event, Valerie’s mind begins to spiral in and out of the present moment, circling around her intense memories of her father’s death, her youthful relationship with troubled Matthew, and her pregnancy with his child, the crisis that led to her marriage to Gerard, and her fears for the safety of her son Andre and his partner James. Unable to reach her loved ones, Valerie finds memory intruding on a surreal and dreamlike present until at last she connects with Gerard and the final horror of that day.
“All That Is Solid Melts into Air” [21]
I meant to explore both the history of ideas—such ideas as “modern times,” “modern society,” “the modern predicament,” and so on—and the human realities that these ideas were meant to grasp. I found that two large bodies of thought and discussion about modernity have appeared in the last 20 years, organized around two separate and distinct ideas: Modernization and Modernism.
“Modernism” has come to denote a family of artistic and intellectual movements that have been radically experimental, spiritually turbulent and militant, iconoclastic to the point of nihilism, apocalyptic in their hopes and fantasies, savagely destructive to one another—and often to themselves as well— yet capable of recurrent self-renewal. Writers on modernization project us into a world of power plants, steel mills, mass rallies and media events, growth rates, five-year plans
I was surprised to find that writers in each group were, with very few exceptions, wholly unaware of the existence of the other. I It seemed bizarre that there should be no connection between them: after all, weren’t they all thrown into the same modern world? I wanted to make these two worlds connect by discovering the underlying unity of life and experience that sustains them both.
All That Is Solid Melts Into Air – 2213 Words [22]
Design a modern country Modernism in Australia during the interwar period Yiting Zheng 7270585 Faculty of Life and Social Science Though the start of the modernisation may trace back to the beginning of Industrial Revolution. “Modernism in the design world did not exist in a fully developed form, until well after First World War.” (Wilk, 2006) Causing the great loss of lives and other countless damage to the world, it reshaped many people’s way of thinking the world
All That Is Solid Melts Into Air by Marshal Berman examines economic and social modernization and its relationship with modernism. Reading this chapter we learn Marx’s vision of modern life as a whole.
The artwork and Impressionism is considered to be a visual articulation of the avant-garde and the latter statement is explained. References to the writings of Charles Harrison, Clement Greenberg and Wilhelm
‘All that is Solid Melts into Air …’ by Andy Blunden [23]
When you are asked to define a certain ideology you immediately come up against the following problem: that while at first sight there appear to be certain principles which define the ideology normatively, closer examination usually reveals that few instances of the ideology adequately conform to the norm. But the ideology acquires a certain coherence not so much because of shared theoretical principles, but because of its association with the consciousness of a social movement or shared conditions of life.
Nevertheless, at the heart of any social movement or institution, and at the heart of any ideology, is some ethical principle, a principle about how we should live, and it is this principle which is at the heart of the conceptions which characterise an ideology. A theory can be legitimately tested against an ethical principle without any kind of reductionism or sectarianism.
In the current context ‘Liberalism’ is a political creed or social movement which dates back to the early 1820s and 30s. At that time, it meant religious beliefs which were open to modernity, free of bigotry or unreasonable prejudice in favour of traditional opinions or established institutions, and open to the reception of new ideas or proposals for reform
Sources
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- https://s-usih.org/2018/06/all-that-is-solid-is-maybe-not-so-solid-the-repercussions-of-a-translation/#:~:text=Translating%20Marx%20and%20Engels’s%20passage,built%20well%2C%20it%20was%20stable.
- https://nosweatshakespeare.com/quotes/famous/melted-into-thin-air/#:~:text=%E2%80%9CMelted%20into%20thin%20air%E2%80%9D%20refers,appropriate%20word%20to%20describe%20that.
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